… the kind of condescending dismissal practiced by Wilson and the cultural panic expressed by Wertham exist nowadays almost entirely as straw men. A critic who voices skepticism about a comic book movie — or any other expensive, large-scale, boy-targeted entertainment — is likely to be called out for snobbery or priggishness, to be accused of clinging to snobbish, irrelevant standards and trying to spoil everyone else’s fun.
What the defensive fans fail or refuse to grasp is that they have won the argument. Far from being an underdog genre defended by a scrappy band of cultural renegades, the superhero spectacle represents a staggering concentration of commercial, corporate power. The ideology supporting this power is a familiar kind of disingenuous populism. The studios are just giving the people what they want! Foolproof evidence can be found in the box office returns: a billion dollars! Who can argue with that? Nobody really does. Superhero movies are taken seriously, reviewed respectfully and enjoyed by plenty of Edmund Wilson types.